From Sullivan+Strumpf, Lindy Lee, First Innumerable (2017), Mirror Polished Stainless Steel, 190 × 50 cm As a Chinese-Australian artist, her work has been critical to visualising the experience of Chinese diaspora in a country that has historically whitewashed its multiculturalism. As she became more involved in Zen Buddhism, she began to incorporate elements of religion in her work, which often focuses heavily on the theme of suffering. For Lindy Lee the recording and questioning of self has been a constant point of examination in her practice. Heaven over Fire (2014) is a circular bronze sculpture made by flinging molten bronze on the floor-a process grounded in the ancient Chinese technique of ‘flung ink painting’ practiced by Zen Buddhist monks who, after a period of meditation, would splash a cup of ink onAlso exhibited are five works created by Lee using a combination of paint, ink and fire on paper. The length, the depth, the breadth of everything that has ever existed, exists right now and will ever exist. Her work blends the cultures of Australia and her ancestral China and explores her Buddhist faith.
This sense of actually belonging in this bigness. Available for sale from Sullivan+Strumpf, Lindy Lee, Irreducible (2012), Black mild steel and fire, 210 × 100 cm Lee’s practice explores her Chinese ancestry through Taoism and Ch’an (Zen) Buddhism – philosophies that see humanity and nature as inextricably linked. For Lindy Lee the recording and questioning of self has been a constant point of examination in her practice. Lindy Lee’s The Life of Stars — Tenderness of Rain signals the successful ongoing collaboration between the Australian-Chinese artist and UAP. Lindy Lee is an Australian artist (born Brisbane 1954). Intended to be a blessing of vitality and abundant energy, Lee draws parallels between a pattern of luminous interconnecting concentric circles and the principle that everything in … Lindy Lee is a female Australian artist who's work spans over three decades. Chinese-Australian artist Lindy Lee’s work is a symbolic representation of the Earth, the beginning of life, birth and renewal. As a Chinese-Australian artist, her work has been critical to visualising the experience of Chinese diaspora in a country that has historically whitewashed its multiculturalism. See more ideas about Sculpture artist, Artist, Sculpture. Situated at the entrance of the Art Gallery of South Australia, Lindy Lee’s six-metre sculpture The Life of Stars links the Art Gallery of South Australia and its exterior forecourt. She also reflects Daoistthemes, including the interconnectedness of the universe an…
Hovering atop a water landscape in the award-winning Province Midtown Cultural Centre in China, the egg-shaped sculpture is symbolic of earth, the beginning of life, birth and renewal. Lindy Lee (born 1954) is an Australian painter and sculptor, one of the foremost contemporary artists in the country. Rather than singular visual statements, they are thoughtful objects where meaning From 10 Chancery Lane Gallery, Lindy Lee, Flame from the Dragon's Pearl (open as the sky) (2013), Bronze Sculpture, 35 × 38 × 34 cm I do like that Martin Browne Contemporary and Roslyn Oxley9 galleries have taken to holding their art openings on the same evening; seeing...View Shigos Mirror by Lindy Lee on artnet. Her practice explores her Chinese ancestry through the philosophies of Taoism and (Zen) Buddhism. Lee's work began with a strong interest in originality and reproductions, utilizing photocopiers to reproduce famous portraits over which she painted original work. Lindy Lee Medium oil on canvas Dimensions 182.5 x 152 cm Further information.