yoruba theatre

Português Support THE FOUR YORUBA THEATRE LEGENDS By Dr Dele Omojuyigbe Legendary comedian, Moses Olaiya Adejumo alias Baba Sala, died early this month but a handful of Yoruba people showed little sense of loss. Back to school tips for parents supporting home learners It combined a brilliant sense of mime, colourful costumes, and traditional drumming, music, and folklore. Create a clean and professional home studio setup Italiano Español Nigerian Theatre Criticism: ‘Dominant’ Issues. As a traveling theater, it has taken the theater to the people and entertained vast and diverse audiences throughout the … © 2020 Prezi Inc. In 1947 Ogunmola organized some of his pupils into an acting troupe, forming his own Theatre Party. Deutsch The theatrical art belongs to the genre of the masque or mask As an entertainment it originated from the religious rites of masqueraders or maskers known as ghost-mummery see FADIPE Sociology of the Yoruba Ph The sis London 1939 757 Its link with court-entertainments as will be seen later brings it very close to the court masque of the sixteenth century in Europe The traditional names by which the troupes are called by the Yoruba populace are eég apidan players of spectacles or eég alaré masque players or the al rinj travelling dance troupes) Hugh CLAPPERTON Journal of Second Expedition into the Interior of Africa London 1829 pp 53-56 Richard LANDER Records of Last Expedition to Africa London 1830 pp 115-121 Both Clapperton and Lander classified the performances as pantomime It is remembered that the masque was great influence on the pantomime that developed both in England and France during the eighteenth century generally labelled melodrama see Phyllis HARTNOLL ed.

Français Entertainment included dancing, chanting, and dramatic arts. Magyar For as long as man has lived, dramatic institutions have always existed to entertain the people and enable them to relax … Although there are more than a dozen traveling theatre companies, three professional troupes are particularly notable: those of In 1945 Ogunde was the first to establish a professional The Yoruba Masque Theatre, popularly known as the Alarinjo, is the traditional traveling theater of the Yoruba. In the Yoruba theater of today (which is often referred to as "folk opera"), we see the culmination of a socio-political development which began around the middle of the nineteenth century in Lagos.

THE YORUBA MASQUE THEATRE 255 The Yoruba masque theatre emerged from three developmental phases ritual festival and theatre The process shows the treatment and use of the masquerade for both ritual and secular occasions …

Deutsch 日本語 한국어 It was mainly placed in Nigeria. In addition to its origin in ritual, Yoruba theatre can be "traced to the 'theatrogenic' nature of a number of the deities in the Yoruba pantheon, such as Obatala the orisha of creation, Some of these plays have been performed abroad, notably, Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. English 1957 îî) CLAPPERTON 53 Agbegijo one who takes wood or wooden face-mask to dance with is another name by which the professional troupes are called in certain areas of Yoruba Ulli BEIER The Agbegijo Masqueraders Nigeria Magazine 82 Sept 1964 pp 189-199 See ADEDEJI The Aldr nj Theatre the Study of Yoruba Theatrical Ari from its Earliest Beginnings to the Present Times Ph Thesis Ibadan 1969 JOEL ADEDEJI University of Ibadan The Origin and Form of the Yoruba Masque Theatre The rst accounts of the Yoruba masque theatre1 are contained the journals of Hugh Clapperton and Richard Lander.2 To mark their seven weeks stay in Old Oyo Katunga) the capital of the Oyo Yoruba empire the alafin king of Oyo invited his guests to see performance3 provided by one of the travelling troupes which at that time was waiting on the pleasure The time was Wednesday February 22 1826.4 Chief Ulli Beier an anthropologist who spent many years amongst the Yoruba writing about the same theatre nearly one hundred and fifty years later stated as follows The Agbegijo5 could be called the beginning of theatre in Yorubaland.6 statement on the theatre is obviously ironical since he was in fact witness to the dying phase of an art which developed many centuries ago In this essay propose to trace the origin and historical development of the theatre analyse its art- form and examine its prospects for the future of the theatre in Nigeria.7 Adedeji Joel A.

Yoruba theater was not a single building yet a group of theater companies. The Aláàrìnjó tradition influenced the Yoruba traveling theatre, which was the most prevalent and highly developed form of theatre in Nigeria from the 1950s to the 1980s.