This is a very revolutionary book, and it deserves much more credit than it gets. The climax is the problem of the story.

Because of the love she has for him, she elopes with Adizua.

Efuru, a young woman in her early twenties falls in love with Adizua who is too poor to pay her bride price. Other articles where Efuru is discussed: African literature: English: Flora Nwapa wrote the novel Efuru (1966), the story of a talented, brilliant, and beautiful woman who, living in a small community, is confined by tradition.

Efuru is a novel by Flora Nwapa which was published in 1966 as number 26 in Heinemann's African Writers Series, making it the first book written by a Nigerian woman, in fact, any African woman, to be published internationally. Efuru is the sole offspring of her late mother, who also worshipped Uhamiri, and Efuru herself loses her only daughter, Ogonim, to a childhood illness. Efuru is a wonderful, strong character--the perfect woman to show a female perspective. One can speculate that Nwapa eliminated the fertility goddess aspect of Uhamiri to heighten the parallels between the deity and her heroine, to demonstrate that being a wife and mother is not the only way for a woman to lead a rewarding life.

Efuru, a highly respected woman of her village, carries on the family tradition of treating others well and is successful as a trader. The climax of the story is the turning point of the story; the moment when the ultimate suspense reaches its peak. Structurally, past and present interweave as the back stories are revealed, reaching a gut-wrenching climax when we finally learn the circumstances of little Vutha’s death.

If anything, the extremes Efuru goes through to please her culture should entertain and educate readers all on its own. Efuru’s father becomes mad and sends some hefty and intelligent men to go to Adizua’s house to fetch Efuru. A woman’s fundamental role, childbearing, is prescribed for her, and if she does not fulfill that role she suffers the negative criticism of members… Efuru explores Nigerian village life and values, a world where spirits are a part of everyday life - as accepted, respected, and feared as one's own relatives. 1 childlessness in flora nwapa’s one is enough and femi osofisan’s wuraola, forever a project work submitted in partial fulfilment for the award of master of arts degree (m.a) in literature. Yet her personal life is mired with tragedy: she has two unsuccessful marriages and her only child dies.